Photographers: What do you do when the client doesn’t show?

We’ve all been there before. You spend a good hour or so getting the studio all set up for a portrait session- backdrops, lighting, remote triggers, cameras loaded with memory cards, and have shot some tests before the appointment. You’re all set as the time approaches. And you wait, five, ten, fifteen minutes and still no client. At twenty minutes after the agreed-to time, you call the client to ask if they are on their way or did something come up? At this point you are totally at their mercy. Now I know several other professions charge full-fees when a client cancels at the last minute but this policy would just about kill a portrait studio’s reputation in a very short time. So what do you do now?

A month or so ago, I had three separate portrait sessions not happen because the clients simply ‘forgot’. All were rescheduled but each one said it had just slipped their minds. As crazy as this sounds, people today have so much going on that they can often lose track of the days just getting everything done. I tried to take the frustration I felt and turn it into a solution for my immediate problem. Do I charge them for the session anyway and thereby ensure that they would never use me again and trash me to their colleagues? Do I charge them a half-fee to justify to myself the time I’d already put in, which would probably result in the same results as above? That might make my ego feel better short-term and for sure lose the client long-term. Or do I try to be pro-active and find a better solution on my own?

Around about this time I had a dentist appointment coming up. I’d had it on my calendar for six months, yet on the day before my appointment, the dentist’s office called with a friendly reminder of the time of my appointment the next day. Bingo! It immediately clicked that this is what I should be doing in my own business! And it’s so easy! I even took it one step further and created a PDF file with tips on clothing selection, make-up & hair styling, props and a reminder of my payment policy. I now email this to my clients a coupla days before the shoot and follow it up with a brief phone call to ask if they have any questions. I’m happy to say since I started this small little exercise, not one client has ‘forgot’ to show up for their portrait session!

I’m still curious though, whether you’re a photographer or not, what do you do when your client doesn’t show up? I’d love your feedback :)

Not your everyday Senior Portrait…

Arthur came into the studio recently requesting something different than I usually create for a senior portrait package. I had met him a few years earlier when I was the photographer for his sister’s Bat Mitzvah and ran into him again with his family in Ashland at the Shakespeare Festival that they attend every year. When he showed up for the session in his outfit (which included spats!) I thought he was someone selling bibles :) He claimed to have no theatrical aspirations but I could tell by his movements and mannerisms that he must have spent countless hours watching Charlie Chaplin and the Marx Brothers movies because he had their shtick down pat and had his mom and I cracking up with his antics. Arthur had very specific ideas as to what shots he wanted to capture/perform so we just worked it out from his list. I love spending time with energetic, creative young people and it’s even more fun photographing them. I’ll still keep my eye out for his name to appear in a production or cast list sometime soon because this young man is really going places!

Senior Portraits by Brian McLernon

Intimate Newborn Portraits…

Little Nolan came to the studio a little while ago to have his very first photo session. We cranked up the heat so the little fella stayed warm and cozy but we may have overdone it because he was so comfortable he fell asleep several times! I had photographed Mom and Dad’s wedding in Hawaii in 2008 and it was awesome to welcome their first child into the world and to see their family grow. I love the expression in this first one…must have been an interesting dream!

BMP in Shutterbug 2010!

Sweet! Just found out I’m featured in this month’s Shutterbug Magazine along with three other photographers in an article about book publishing by Maria Piscopo. Check out the article here!

Canon Speedlite Digital Field Guide…

Canon Speedlite System Second Edition Cover

Detailed coverage of Canon’s four speedlite-580EX II, 430 EX II, 220 EX and the new 270 EX-built exclusively for Canon DSLRs.

If you use a digital SLR camera, then you understand just how critical it is to have a capable flash. Canon Speedlite shines a whole new light on taking photos with a Canon DSLR. This full-color, in-depth guide takes you beyond the standard manual that accompanies the Speedlite and shows you the types of settings you can use on your camera when working with the Speedlite.

You’ll explore the possibilities of wireless lighting with multiple speedlites as well as the creative effects you can achieve. Author and professional photographer Brian McLernon demystifies setting up the speedlite, synchronizing the speedlite equipment, and determining lighting ratios.

  • Canon DSLRs are only growing in popularity and the Speedlite system is a must-have accessory for exploring a new world of digital photo possibilities
  • Shows you how to create an inexpensive and portable wireless studio lighting system that can go where you go
  • Demystifies setting up the speedlite, synchronizing the equipment, and figuring out lighting ratios
  • Covers other Canon lighting system components, such as the ST-E2 Speedlite Transmitter, Macro Ring Lite, and Macro Twin Lite

Real-world information on using these speedlites illustrated by full-color examples and untangles the complexities of using the Canon Speedlite system.

Shamrock Run, Portland Oregon…

Shamrock Run, Portland, Oeregon

Headed downtown early Sunday morning to get set up to shoot the Shamrock Run for Evan Pilchik and EP Events. On my way to the Start/Finish line, I noticed (and heard!) these bagpipers and drummers warming up. I always enjoy the hand ballet the drummers use when twirling the mallets and like the framing in this shot. See more results of the Shamrock Run photography. While I truly enjoy the mournful sounds of bagpipes, (I am Irish after all) whenever I see or hear them, I always think of an old Irish joke. “Do you know why bagpipers always march? To get away from that god-awful sound!” Happy St. Patrick’s Day!

Urban farmers…

Urban farmer

OK, so the books are out and it’s been wild getting feedback and emails about them from readers all over the world! We’re currently in discussion about another book that I am very excited about if it gets final approval. I can’t say much about it right now but suffice to say it is a subject very near and dear to my photographic heart.

Since the pace has eased up a bit around here I thought I would post some of the images either used or shot for the books and provide a little backstory on each one. First up is this shot of my neighbor Damien for a story on urban farmers and for the Canon Speedlite System DFG. With little daylight left I wanted to explore the whole warm/cool visual tension with Speedlites. The Canon 5D Mark II was set to an indoor tungsten balance to turn the background a deep blue and the foliage behind Damien was lit with one ungelled Speedlite at around 1/8th power. Since the camera was set to tungsten white balance and the flash produces daylight white balance without a gel, the whole background goes blue or very cool tones.

A second Speedlite @ about 1/16th power and mounted on a stand with an FJ Westcott umbrella-style Apollo softbox was used as the main light. I taped on two full CTOs (color temperature orange) gels and shot about 12 frames. Set-up and tear down took about 15 minutes.

In post production I decided I way overdid it with the CTO’s and backed off the saturation for less intensity of the colors. I now have a full kit of 1/4, 1/2, and full CTO’s for next time. I like the visual tension between the two different color families. What do you think?

Digital Field Guides by Portland Oregon Photographer Brian McLernon…

Two new Digital Field Guides on Canon camera and flash technologies were debuted this month by Wiley Publishing and I am stoked after all the work to finally see them in print! Find them both here on Amazon.

Canon Speedlite System Digital Field Guide cover

Canon G11 Digital Field Guide cover

Remembering The Who from 1978…

After their dismal performance at the Super Bowl on Sunday, I figured I’d dig into the photo files for some slides of the original band. This one was my favorite from a roll of 36 slides shot at the Phoenix Coliseum in 1978. I scanned ‘em all and posted them here. Enjoy!

Clowning around in the studio…

Mimi, the clown

Mimi the Clown came to the studio recently for some promo shots and to help me out with a few images for my new book on Canon Speedlites. After she got into costume we did various poses showing a range of her expressions. The original plan was to do some shots outside in the fading light, then move into the studio once night fell. Unfortunately, the light faded quickly to black but we moved outside anyway.

As Mimi danced and mimed in what little ambient light there was, I set up two Speedlites on either side of her, one on the left zoomed all the way to 105mm undiffused, and one on the right in a Westcott softbox. I like this shot because after fiddling with the settings on the Speedlite, I forgot to zip the softbox back up and a tiny sliver of light escaped from the bottom that lined up perfectly with her fooot and the shadows from her legs. A mistake that added to the overall image. Mimi thought it gave the shot a “highwire” look!

Afterwards, we moved back into the studio for the top shot and the rest of the shoot. When Mimi was done, we shot some portraits of the real person and I think she cleaned up nice!

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